In an era dominated by social media, influencers, and the movie business, one thing that is a consistent need is headphones. This may sound pretty ordinary because there’s no person without headphones. Headphones have become a necessity now whether it be for traveling, doing chores, meditation, or just relaxing in bed all day. These are just ordinary headphones that we use but for influencers or professional artists, heavy-duty, reliable headphones are needed that get the job done right.
Audio editing requires a different set of headphones. Audio editing is the method of influencing or rather manipulating audio to rework its length, its speed, and its volume or to create additional forms that work as loops. Professionally, audio editing should have the most important feature of all: noise cancellation. Noise cancellation is key or else the sound may not impact or develop the high or low pitch frequency sound while editing. Such headphones can be extremely costly and one may get confused in search of the right headphones because if you’re going to be investing it best be an investment worth the job you want to get done.
Here are our top five best-picked headphones but before we begin one must be mindful of all the basic requirements a good headphone should have in order to make your search easier and faster.
What we considered before choosing the products?
When you’re sitting in one place for hours and hours you need the technology that will support you. With normal earphones, one cannot use them for a long period of time. It can become aggravating. Audio editing demands commitment and focuses where you spend hours listening to the base material. Comfort should be the key feature.
A good pair of headphones will assist you with an uninterrupted flow by providing you with utmost comfort and allow you to enjoy the usage. Some headphones give you great output but lose value when they fail to be comfortable and disturb your work flow. When looking for headphones for audio editing you should always keep in mind your comfort.
On-ear or Over-ear?
An important question should arise if you need over-ear or in-ear headphones? There is a difference. On-ear headphones can often be deemed better at keeping the sound in one place or not let it ‘leak’ as compared to over-ear headphones. On-ear headphones are smaller in size and are portable but that is not the advantage you should emphasize when looking for audio editing headphones.
Over-ear headphones will block out or cancel noise coming from the outside surroundings. They are larger in size and can fit into bigger drivers to provide extra accuracy sounds which is why they are preferred more over on-hear headphones.
Impedance regulates the aversion to the current flow. This may sound overwhelming and confusing. All you need to know that the higher the impedance the more power is required to propel the headphones. High impedance headphones provide more clarity and less distortion. They are used and preferred mostly for professional audio editing. However, this comes at a cost. You will require a pre-amp to run them on because they require more power a laptop or a smartphone can provide.
Low impedance headphones are appropriate for overall use. They may not sound the way high impedance does but at least you’ll be able to power them through your laptop or phone. 32 Ohms is a common impedance range for many headphones but they can range from 8 to 600 Ohms or higher.
Bluetooth headphones sound better than they actually are when considering audio editing. They are rarely considered for audio editing. Bluetooth headphones use a connection that is unreliable and vulnerable because there can be interruptions or disconnection. A wireless headphone may seem reliable and less of a hassle to deal with but Bluetooth headphone integrates batteries and they do not hold enough power to facilitate high impedance headphones thus giving you low-quality audio. Additionally, you have to pay extra for extra features such as chargers, batteries, wires. You could spend that same amount on headphones that give better quality and comfort.
Frequency response range
Most headphone’s frequency response ranges from 20Hz – 20,000Hz (5Hz – 20kHz). It implies that they are able to yield these frequencies. Some headphones will go as extensive as 5Hz – 40,000Hz but the additional range isn’t much of use because we can’t really hear those frequencies. The microphones are limited to the 20,000Hz range and a lot of them do not go above that. Many of us can’t even hear frequencies over 16,000Hz. You’re all set if your headphones have a 20Hz – 20,000Hz frequency response range because it is more than enough for your audio editing endeavors.
Build and design
Quality over quantity comes in handy in this case too. Build and design are important aspects for you to need headphones that are reliable and long-lasting. The cheaper the material the more easily they will break or chip. A great headphone should be both lightweight and solid all while providing accurate sounds and a rotating ear cup design for more use.
Too long or too short? Look for cables that get your job done but do not go for extremely long cables because firstly they lower the volume and introduce sounds and that can be quite annoying. Secondly, they can get easily tangled and damaged. A good pair will have a shielded cable that effectively diminishes noise. With a short cable, you have the space to add another cable, an extension but that’s slightly tricky because you need to have a compatible extension.
Top 6 headphones for audio editing
With a frequency response of 5Hz-40,000Hz, Beyerdynamic DT-1990 Pro is a professional level headphone with an open concept design. This extended frequency range comes with more clarity that supports high pitched, high-frequency sounds. It is an over-ear headphone that comes with two to three-meter cables which are detachable followed by mini XLR connectors. While one cable is coiled, the other is straight. For the least interruptions, the port for the cable is on only one side of the headphones keeping the wire from causing a disturbance in your way.
The 1990 Pro comes with a set of two ear pads that have separate sound characteristics. One ear pad gives you defined bass and mid-range sounds with an analytical sound profile while the other gives a rather fuller sound with a balanced profile in both mid and upper frequency. The headphones have an impedance of 250 ohms which diminishes any interference and grants your audio clarity.
With its state-of-the-art German craftsmanship, every pair is specifically handcrafted using exclusive materials including the famous high-resolution Tesla drivers and titanium layered aural fabric which as a result comes with a hefty price rightfully so. However, this craftsmanship combined with high-quality features conveys to you what you need during audio editing whether it be film or music. The earpads are memory foam granting you comfort without the burden of feeling that there’s something heavy.
- Reveals details of the audio to a maximum for effective sound
- A pair of two ear pads with distinctive qualities providing you with diversity
- 45mm high powered Tesla neodymium drivers
- The impedance of 250 Ohms
- The higher the impedance the more amplification required.
- An external power source is required
Soundstage: It also goes without saying that sound leakage is at a maximum. These aren’t the kind of headphones you can use in an open space. These are professional headphones for an isolated workplace.
This headphone is powerful with affordability. Even though it does have a dynamic frequency range like other headphones it still manages to give extensive, precise sounds. The MDR7506 is a mid-range option with a 40mm driver with neodymium magnets. The ear pads are large and cushioned that not only keep you comfortable but cancel the outside noise.
The headphones have a sturdy design for reliability and are foldable for portability and are lightweight. The headphones had a closed-back over-ear design. The cable however is not detachable. It has a 9.8ft coiled cable which is partially coiled and partially straight. The coiled cable has a 1/8 inch plus and a 1/4 inch adapter. They don’t really cancel out the noise and isolation enactment is sub-par. The impedance is 63 ohms which seems relatively low but do deliver sound. The Sony MDR7506 headphones give you vibrant sound without too much bass.
- High quality on a budget
- Clarity of sounds
- Breathable, soft design
- Great consistency of frequency response
- No noise cancellation
- Not for rough usage despite its sturdy build
Comfort: They may look cheap and a waste of money with their ordinary build but they are extremely comfortable. The headband is softly padded and flexible enough to add unnecessary pressure to your head or ears. It is breathable and comforting.
The HD280 Pro is yet another capable on budget headphones. They are a closed over-the-ear extremely lightweight pair. It provides comfort with the production of high reliable audio. It has a frequency response of 8Hz to 25000Hz and has an extended frequency response for natural sounds. It also cancels out external noise with an impedance of 65 ohms. The headband is padded as well as the ear pads for maximum comfort for long hours of usage. The over-ear size allows you to drown out 32dB of external sound.
The headphones can fold as well as the ear cups for portability. It is extremely convenient for hours of long usage and durable as well. The 9.8 ft coiled cable is on one side of the ear cup. The HD280 Pro deals with a balanced, vibrant sound. The coiled cable can be hard to manage but with the price range, the headphones give you your money’s worth.
- Budget-friendly professional headphones
- Balanced sound with a decent bass range
- Padded ear comfortable pads that cancel out noise
- The coiled cable can cause a slight disturbance
- You will need an amplifier
Sound: HD 280 Pro gives you the kind of precise frequency response you really need when it comes to editing and mixing. It gives you precision and clarity over the most minute sounds which really keeps it above.
M50x provides versatility and utmost comfort. Same as professional headphones the frequency response ranges from 15Hz-28000Hz followed by 98 decibels of sensitivity and an impedance of 38ohms. M50x grants clarity. Each ear has a 45mm large opening drive with copper-covered aluminum coils and earth magnets. The headphones include clear sounds in the entirety of the frequency range as well as bass.
The headband is diverse and can be adjusted according to the size that keeps you comfortable. For one ear monitoring the cups rotate too. It has detachable cables and comes with two extra ones. The coiled cable is about 3.9-9.8ft and a 3.9ft cable.
- 90-degree spin of ear pads for one-ear monitoring
- Comes with both coiled and straight cable of various sizes
- Clear sound
- They’re not best for travel
- Leather may wear off with excessive usage
Removable Cables: Who doesn’t like a cable-free hassle? Unlike its previous models the brand’s fixed cable has been swapped by a detachable one; involved by a mini-jack connector which rotates a quarter to deadlock it into place.
MDRV6 studio monitor headphones were the original introduction or rather the first intervention in Sony’s line. They rapidly gained popularity because of their exceptionally precise sound production. The frequency response ranges from 5Hz to 3000Hz. From low bass to high pitch the MDRV6 brings precision throughout. The quality of the sound is derived from the pair of neodymium magnets. It has 40 mm drivers as well.
The large size of the headphones and the cushioned ear pads both cancel out the noise and keeps in mind the comfort level. The headphones are foldable ensuring portability and easy travel. The headband is adjustable to fit your comfort and distributes the weight ensuring no burden or the feeling of heaviness. The sounds are balanced and heighten the bass.
- Extremely comfortable
- The sound is accurate
- Noise cancellation technology
- The mid and upper range frequencies aren’t much prominent
- The MDRV6 is difficult to find because it is highly in use
Sensitivity: The headphones are deafening. Their evaluated sensitivity is 106 dB with 1 MW of input which is about 10 DB more than many headphones. You do not really need extra amplification.
Designed to be a perfect fit for listening, editing, and monitoring duties Focal Listen does it all. They’ve been modified to yield a clear and transparent sound without exaggeratedly emphasizing bass or mid-range while also providing dynamic sounds.
The Listen Professional has 32-ohm impedance means they are versatile to a smartphone connection and for studio usage. Comfort is a necessity with headphones when editing for hours and hours. The ear cups are memory foam so that you don’t feel tired or your ears don’t hurt. The design of the headphone is in a way that gives you full support and creates sound isolation. These headphones have a flexible headband for a perfect, non-forceful fit. Its frequency response range is 5hz to 22000hz which extends beyond human hearing. It has 40mm drivers that have the Mylar membrane and cone consisting of both titanium and Mylar. The 40 mm drivers feature Mylar membranes, with a cone made from Mylar and titanium which provides great levels of transparent dynamics.
The spiral cable has a length of 5 meters and comes with an additional cable that is 1.2 meters long. The 1.2-meter wire is equipped with a control that is compatible with Windows, Apple, or Android systems. The focal cable is also included which is made from Velcro tape and comes with the product as well.
- Memory foam for maximum comfort
- Tuned beforehand to produce clear sound
- Compatible with different software
- Impedance of 32ohms
- On the pricier side
- You may need an amplifier
Balance: The bass has great imbalance which can perhaps be clarified by the singular cable entry structure. The cable firth takes up additional space on the left side of the ear cup which makes it less proficient in the low end.
Frequently Asked Questions (FAQs)
1. What are the correct sizes of drivers?
Headphones characteristically emanate with 20 mm to 50 mm drivers. Larger drivers distribute extensive power with heavy frequency response. However, bigger drivers don’t necessarily mean better sound.
The quality of the sound largely depends on the design of the headphones and their components. Headphones that are best for editing or mixing are already tuned to do so. The clarity of mid-range sounds will reduce if the drivers are large as they may focus on the bass more. Typically, you should look for headphones that have drivers of the size 40-45mm.
2. What impedance level is best and requires attention?
Studio displays have high impedance levels which mostly confines the course of electricity through the drivers. By obstructing more of the electrical audio signal, the headphones strain out unwanted noise. Depending on the headphones, the impedance levels may vary from 8ohms to 600 ohms. Affordable editing headphones lean towards an impedance of 32ohms to 64 ohms and some editing headphones between 300ohms-600 ohms.
32 ohms or a lesser range is great if you’re going to be editing on your laptop without any extra equipment. 64 ohms impedance is more suited to those who work professionally and heavily with sound.
3. What if the price range does not suit me?
If you know what you’re looking for, price will not be much of an issue when looking for the right fit. There’s always a budget-friendly choice. In the list above there are easy on the pocket options that also provide you with what you’re looking for. You will always get what you pay for but one must be aware of what is required first when looking for headphones. Sometimes a heavy price tag doesn’t always mean better technology.
4. How long will such headphones last?
This depends on your usage level. The heavier the usage the faster they may depreciate whatever their price may be. However cheap plastic headphones with faux leather will wear out eventually no matter how much you use them hence more spending. Look for a sturdy headphone that will feel durable but it should be lightweight and comfortable as well. Sturdy headphones are often heavy. Durability should be followed by comfort.
5. Will it be compatible with both my laptop and smartphone?
Headphones are diverse entities and versatile. They are often compatible with your device, especially Bluetooth headphones. Since these headphones are directed at audio editing, not all of these will support a mic. This may be a drawback but there plentiful headphones that are compatible with calling options but that isn’t necessarily useful for audio editing and may cause hindrance with its impedance but for listening to music or working out or fir studio usage these headphones are compatible.
6. What is the variance between closed-back, open-back, and semi-open?
You’ve seen that generally recording studios or sound engineers own a lot of sets of headphones because each headphone has a different use. Closed-back headphones are mainly used for recording music or sounds. Open-back headphones are used for engineering, editing, or mixing sound. The semi-open back is more a hybrid that performs the function of both recording and engineering.
Above are the top 6 best headphones fit for audio editing. Headphones may not seem as tricky but slightly are when you have to use them professionally for work that requires you to point out or edit the most intricate details. Accuracy and clarity are essential for editing especially when it takes hours on end or even days depending on the size of your work. You need headphones that are compatible and can work the same way as you do without any further hindrance or disturbance.
One must always be aware of every detail when looking for headphones from comfort to price. There’s nothing wrong with having more questions, it will only help in making your search easier. A detailed guide is provided for your comfort. Do not be afraid to experiment with sounds without making your pockets too heavy.